| PRODUCTION STAFF | |||
| Director | Dan Duke | ||
| Musical Directors | Pam Elam, Phyllis Gandy | ||
| Choreographer | Janis Rosenthal | ||
| Accompanists | Dr. Joe Martin, Marilyn Clancy | ||
| Stage Manager | Margaret Swindle | ||
| Sound | David Beans | ||
| Tickets | Nancy Daniel | ||
| Programs | Louise Stroud, Mary Ann Zambrano | ||
| Publicity | DiAnn Hyde | ||
| Production Coordinators | Cindy Kelly, Becky Shaw | ||
| Set & Graphic Design | Bill Lively | ||
| Reception | Kay Walls | ||
| Lighting | CHS Theatre Arts Department | ||
| Narration Author | DiAnn Hyde | ||
| CAST | |||
| Welcome | Dan Duke | ||
| OVERTURE | Chorus: Ava Davis, Lillian Gandy, Larry Grigsby, Cindy Evans, Amy Blackburn, Sally Smith, Nancy Daniel, Kenneth McDonald, Kristi Wood, Susie Delano, Carol Rose, Catherine Raines, Diane Burton, Charles Ledbetter, Coya Hampton, David Roberts | ||
| SOUND OF MUSIC | |||
| Maria | Sandra Arnold | ||
| Nuns | Hannah Easdon, Johanna Easdon, Martha Duke, Christine Crocker | ||
| VonTrapp Children | Rose Ann Gann, Neal Jones, Deanna Smith, Wendy Browder, Emily Raines, Annie Hyde, Audrey Petross, Jayd McCarty | ||
| Capt VonTrapp | Frank Hyde | ||
| Mother Superior | Christine Crocker | ||
| OKLAHOMA | |||
| Curly | Jay Lewis | ||
| Ado Annie | Martha Duke | ||
| Ballet & Dance | Joni Barnes, Lori Beaty, Jennifer Booth, Rachael Buckner, Stephanie Hall, Kim McCall, Melissa Moroz, Amy Nichols, Christine Parr, Debbie Reagan, Elizabeth Johnson, Larry Kornfehl, Janis Rosenthal, Lisa Day | ||
| SOUTH PACIFIC | |||
| Bloody Mary | Christine Crocker | ||
| Lt Joe Cable | Dick Helmcamp | ||
| Nellie Forbush | Becky Shaw | ||
| Luther Billis | Acy McGehee | ||
| ANNIE GET YOUR GUN | |||
| Annie Oakley | Cindy Kelly | ||
| Frank Butler | Jay Lewis | ||
| Buffalo Bill Cody | Dick Helmcamp | ||
| Sitting Bull | Luther Wilson | ||
